I turned by an effort, stumbled over the curate, and stopped at the scullery door. The tentacle was now some way, two yards or more, in the room, and twisting and turn- ing, with queer sudden movements, this way and that. For a while I stood fascinated by that slow, fitful advance. Then, with a faint, hoarse cry, I forced myself across the scullery. I trembled violently; I could scarcely stand upright. I opened the door of the coal cellar, and stood there in the darkness staring at the faintly lit doorway into the kitchen, and listen- ing. Had the Martian seen me? What was it doing now?

Something was moving to and fro there, very quietly; every now and then it tapped against the wall, or started on its movements with a faint metallic ringing, like the movements of keys on a split-ring. Then a heavy body--I knew too well what--was dragged across the floor of the kitchen towards the opening. Irresistibly attracted, I crept to the door and peeped into the kitchen. In the triangle of bright outer sunlight I saw the Martian, in its Briareus of a handling-machine, scrutinizing the curate's head. I thought at once that it would infer my presence from the mark of the blow I had given him.

I crept back to the coal cellar, shut the door, door and began to cover myself up as much as I could, and as noiselessly as possible in the darkness, among the firewood and coal therein. Every now and then I paused, rigid, to hear if the Martian had thrust its tentacles through the opening again.

Then the faint metallic jingle returned. I traced it slowly feeling over the kitchen. Presently I heard it nearer--in the scullery, as I judged. I thought that its length might be in- sufficient to reach me. I prayed copiously. It passed, scrap- ing faintly across the cellar door. An age of almost intolerable suspense intervened; then I heard it fumbling at the latch! It had found the door! The Martians understood doors!

It worried at the catch for a minute, perhaps, and then the door opened.

In the darkness I could just see the thing--like an ele- phant's trunk more than anything else--waving towards me and touching and examining the wall, coals, wood and ceil- ing. It was like a black worm swaying its blind head to and fro.

Once, even, it touched the heel of my boot. I was on the verge of screaming; I bit my hand. For a time the tentacle was silent. I could have fancied it had been withdrawn. Presently, with an abrupt click, it gripped something--I thought it had me!--and seemed to go out of the cellar again. For a minute I was not sure. Apparently it had taken a lump of coal to examine.

I seized the opportunity of slightly shifting my position, which had become cramped, and then listened. I whispered passionate prayers for safety.

Then I heard the slow, deliberate sound creeping towards me again. Slowly, slowly it drew near, scratching against the walls and tapping the furniture.

While I was still doubtful, it rapped smartly against the cellar door and closed it. I heard it go into the pantry, and the biscuit-tins rattled and a bottle smashed, and then came a heavy bump against the cellar door. Then silence that passed into an infinity of suspense.

It rasped her, though, to have stirring about in her this brutal monster! to hear twigs cracking and feel hooves planted down in the depths of that leaf-encumbered forest, the soul; never to be content quite, or quite secure, for at any moment the brute would be stirring, this hatred, which, especially since her illness, had power to make her feel scraped, hurt in her spine; gave her physical pain, and made all pleasure in beauty, in friendship, in being well, in being loved and making her home delightful rock, quiver, and bend as if indeed there were a monster grubbing at the roots, as if the whole panoply of content were nothing but self love! this hatred!

Nonsense, nonsense! she cried to herself, pushing through the swing doors of Mulberry’s the florists.

She advanced, light, tall, very upright, to be greeted at once by button-faced Miss Pym, whose hands were always bright red, as if they had been stood in cold water with the flowers.

There were flowers: delphiniums, sweet peas, bunches of lilac; and carnations, masses of carnations. There were roses; there were irises. Ah yes—so she breathed in the earthy garden sweet smell as she stood talking to Miss Pym who owed her help, and thought her kind, for kind she had been years ago; very kind, but she looked older, this year, turning her head from side to side among the irises and roses and nodding tufts of lilac with her eyes half closed, snuffing in, after the street uproar, the delicious scent, the exquisite coolness. And then, opening her eyes, how fresh like frilled linen clean from a laundry laid in wicker trays the roses looked; and dark and prim the red carnations, holding their heads up; and all the sweet peas spreading in their bowls, tinged violet, snow white, pale—as if it were the evening and girls in muslin frocks came out to pick sweet peas and roses after the superb summer’s day, with its almost blue-black sky, its delphiniums, its carnations, its arum lilies was over; and it was the moment between six and seven when every flower—roses, carnations, irises, lilac— glows; white, violet, red, deep orange; every flower seems to burn by itself, softly, purely in the misty beds; and how she loved the grey-white moths spinning in and out, over the cherry pie, over the evening primroses!

And as she began to go with Miss Pym from jar to jar, choosing, nonsense, nonsense, she said to herself, more and more gently, as if this beauty, this scent, this colour, and Miss Pym liking her, trusting her, were a wave which she let flow over her and surmount that hatred, that monster, surmount it all; and it lifted her up and up when—oh! a pistol shot in the street outside!

“Dear, those motor cars,” said Miss Pym, going to the window to look, and coming back and smiling apologetically with her hands full of sweet peas, as if those motor cars, those tyres of motor cars, were all HER fault.

The violent explosion which made Mrs. Dalloway jump and Miss Pym go to the window and apologise came from a motor car which had drawn to the side of the pavement precisely opposite Mulberry’s shop window. Passers-by who, of course, stopped and stared, had just time to see a face of the very greatest importance against the dove-grey upholstery, before a male hand drew the blind and there was nothing to be seen except a square of dove grey.